2010 ðîö³ çàê³í÷èâ àñï³ðàíòóðó â Ìåíåñ Êîëåäæ³ ïðè The New School University (Íüþ Éîðê) ïî êëàñó êîìïîçèö³¿ â Äåéâ³äà Ö³ìï³ä³ñà, áàðîêîâîãî âèêîíàííÿ ó Àðòóðà Ãààñà ³ äèðèãóâàííÿ â Ìàéêëà ×àðð³. Âîëîäàð äðóãî¿ ïðå쳿 êîíêóðñó Jean Schneider Goberman Composition Competition çà òâ³ð "ôóãåòòà ñàðêàñò³êà" äëÿ ñêðèïêè,â³îëîí÷åë³ òà ôîðòåï³àíî òà ïåðøî¿ ïðå쳿 Mannes New Music Competition çà ñèìôîí³þ "Áåðåæàíñüêèé Çàìîê". ×ëåí Àìåðèêàíñüêî¿ àñîö³àö³¿ êîìïîçèòîð³â ç 2010 ðîêó. Ñï³âïðàöþº ç êîìïîçèòîðàìè: ÄÆåí³ôåð óéäîí, Ïîë Ìîðàâåê; äèðèãåíòàìè: Ìàéêë Àäåëüñîí - äèðèãåíò Íüþ Éîðêñüêîãî ñèìôîí³÷íîãî îðêåñòðó; ñàêñîôîí³ñò Ñêîò ˳òðîô, õîð Canoni Corale. Êåð³âíèê àíñàìáëþ äàâíüî¿ ìóçèêè The Ricercare Early Music Ensemble.
A composer Andriy Lehki (b.1968) is a native of Lviv, Ukraine. He received his Bacelors at Ivano-Frankivsk State Music College and Master from Lviv State Academy of Music. He holds a Master of Music at Mannes College of Music in New York, where he studies with David Tcimpidis. He has studied baroque music performance with Arthur Haas and conducting with Michael Charry. He was awarded 2nd prize in the Jean Schneider Goberman Composition Competition. He has also had the opportunity to participate in masterclasses and lessons with Jennifer Higdon. Collaboration is an important part of his work and he has established an especially rewarding relationship with saxophonist Scott Litroff, violinist Halyna Lehka, pianist Albert Zak. His composition Berezanian Castle will be performed at Mannes New Music Festival.
Òâîðè: äëÿ ñèìô. îðê. - Ñèìôîí³ÿ (1994), äëÿ ñòðóííîãî îðêåñòðó - «Musica instrumentalis» (1992-93); äëÿ êâàðòåòó äåðåâ’ÿíèõ äóõîâèõ - «Òðè æàðòè» (1989), äëÿ ôëåéòè, ãîáîÿ, êëàðíåòà, ñêðèïêè, â³îëîí÷åë³., òðèêóòíèêà ³ ôîðòåï³àíî. sospeso - «Âîíà íå ïëàêàëà, òà íà î÷àõ áóëè ñëüîçè» (1995), äëÿ ôëåéòè, êëàðíåòà, òðîìáîíà, óäàðíèõ - «Obitur dictum» (1996), äëÿ ôîðòåï³àíî - «Äåðåâî æèòòÿ» (1992); Ñòðóííèé êâàðòåò (1992-93), äëÿ ñêðèïêè ³ ôîðòåï³àíî - «Ôðàãìåíò» (1997), äëÿ 2-õ ñêðèïîê - «Ïîäâ³éíà ìóêà» (1996), äëÿ ñêðèïêè ñîëî - «Ï³ä âðàæåííÿì «Àïîëîãåòèêè» Ñ.Ïðîöþêà» (1997), äëÿ ã³òàðè - «Äóìà ïðî Âèøíåâåöüêîãî» (1992), äëÿ ñîïðàíî, ôëåéòè, 2-õ ñêðèïîê ³ ôîðòåï³àíî - «×óäîâå ì³ñòî» (ñë. Ã.Òðàêëÿ, 1996), äëÿ 3-õ ñîïðàíî ³ ôîðòåï³àííîãî êâ³íòåòó - «Ï³ñíÿ» (1996— 97); äëÿ õîðó áåç ñóïðîâîäó - «Îñ³íü» (ñë. Â.Ãîëîáîðîäüêà, 1993), «Jesu, spes mea» (1999).
Ñèìôîí³ÿ "Áåðåæàíñüêèé çàìîê".