Àêàäåì³÷íèé ñèìôîí³÷íèé îðêåñòð Ëüâ³âñüêî¿ ô³ëàðìîí³¿

        Ïåðåä³ñòîð³ÿ îðêåñòðó ñÿãຠïî÷àòêó XIX ñòîë³òòÿ ³ ïîâ'ÿçàíà ç ³ìåíåì Ìîöàðòà — íàéìîëîäøîãî ñèíà â³äåíñüêîãî êëàñèêà — Ôðàíöà Êñàâåðà, ÿêèé áóâ çàñíîâíèêîì ïåðøîãî ó Ëüâîâ³ ìóçè÷íîãî òîâàðèñòâà. Íà ïî÷àòêó XX ñòîë³òòÿ ä³ÿëüí³ñòü îðêåñòðó ïðîäîâæóâàëàñü â ðàìêàõ íîâîñòâîðåíî¿ ì³ñüêî¿ ô³ëàðìîí³¿, ùî âèíèêëà ç ³í³ö³àòèâè Ëþäâèãà Ãåëëåðà, òîä³øíüîãî äèðåêòîðà îïåðíîãî òåàòðó. ijÿëüí³ñòü îðêåñòðó ïîâ'ÿçàíà ³ç ñëàâíèìè ³ìåíàìè Ã. Ìåëüöåðà, à Ìàëåðà, Ð. Øòðàóñà. Ñîë³ñòîì ó ñâîºìó Äðóãîìó ôîðòåï³àííîìó êîíöåðò³ âèñòóïàâ ç îðêåñòðîì Á. Áàðòîê. Íåçàáóòí³ì äëÿ îðêåñòðó º äí³ ñï³âïðàö³ ç êðàùèìè â³ò÷èçíÿíèìè ³ çàðóá³æíèìè äèðèãåíòàìè, ãàêèìèÿêÑ. Òóð÷àê, Ê. Êîíäðàøèí, Ô. Ìàíñóðîâ, Í. Ðàõë³í,Ë. Áðàã³íñüêèé, Ã. Ðîæäåñòâåíñüêèé, Ð. Ã볺ð, Å. äå Ìîð³ (²òàë³ÿ), Å. ˳ (Øâåö³ÿ), Æ. Îêòîðñ (Áåëüã³ÿ), Í. Ïîïåñêó (Ðóìóí³ÿ), Í. ѳºñ (Ïîëüùà), Ì. ²íîóå (ßïîí³ÿ), Á. ä'Àñòîë³ (Àðãåíò³íà), Ê. Ìîðàëü (Ïåðó), É. Øàéíîâè÷ (Þãîñëàâ³ÿ), À. Áàëò³ñ (Ãðåö³ÿ). Âñ³, õòî ïðàöþâàâ ç îðêåñòðîì, â³äçíà÷àëè ÿê âèñîêó ³íäèâ³äóàëüíó ìàéñòåðí³ñòü êîæíîãî ìóçèêàíòà, òàê ³ ÷óäîâå çàãàëüíå çâó÷àííÿ êîëåêòèâó, âèñîêó êóëüòóðó âèêîíàííÿ ìóçè÷íèõ òâîð³â. Óñ³ ö³ ÿêîñò³ òàêîæ â³äçíà÷àëè âèäàòí³ êîìïîçèòîðè, ÿê³ âèñòóïàëè ó Ëüâîâ³ ç àâòîðñüêèìè êîíöåðòàìè: Ä. Øîñòàêîâè÷, À. Õà÷àòó-ðÿí, Î. Òàêòàê³øâ³ë³, Ä. Êàáàëåâñüêèé, Ã. Ìàéáîðîäà, À. Åøïàé, À. Øí³òêå, à òàêîæ Ì. Ðîñ-òðîïîâè÷, Ñ. гõòåð, Ò. Äîêøèöåð. Êîíöåðòí³ ïðîôàìè ï³äòâåðäæóþòü âèñîêèé òâîð÷èé ïîòåíö³àë îðêåñòðó, ÿêèé ãàñòðîëþâàâ â ͳìå÷÷èí³, Ïîëüù³, ²òà볿, Ôðàíö³¿.

Lviv Philarmony Symphony

         Its prehistory dates back as far as the XlX-th century and is connected with Mozart — the youngest son of the Vienna classic — Fransoir Xaver who founded the first Lviv Musical Society. At the beginning of the XX-th century the orchestra continued its activity within newly-bom philharmonic society, the foundation of which was initiated by Ludvig Heller director of the Opera and Ballet House. The creative activity of orchestra is connected with world-known names ofH. Meltser, G.Mahler, R. Strauss and B. Bartokwho performed his Second piano concerto together with the orchestra as a soloist. Unforgettable for the orchestra are the days of concert collaboration with the best home and foreign conductors such a Stefan Turchak, Kiril Kondrashin, Fuat Mansurov, Natan Rakhlin, Leo Brahinsky, Gennady Kozhdestvensky Reinhold Glier, Enrico dc Mori (Italy), Everet Lee (Sweden), George Oktors (Belgium), Nikolae Popesku (Romania), Napoleon Sies (Poland), Michuosi Inoue (Japan), Bruno d'Astoli (Argentina), Carmen Moral (Peru), Yovsen Shajnovich (Yugoslavia), Akis BaJtis (Greece). Everyone who had an opportunity to work with the orchestra pointed out both high individual skills of each musician as well as wonderful sounding of the orchestra as a whole and high culture of performance of piece. All those features were also noted by famous composers who played their music in Lviv—D. Shostakovich, A. Khachaturian, 0. Taktakishvili, D. Kabalevsky, G. Maiboroda, A. Eshpay, A Shnitke and also M. Rostropovitch, S. Rikhter, T. Dokshitser. The latest concert programmes of the orchestra confirm its high creative potential. The orchestra had tours in Germany, Italy, France and Poland.



                    

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