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Àíäð³é Êàðïÿê

         Íàðîäèâñÿ ó 1974 ðîö³. Çàâåðøèâ ç â³äçíàêàìè íàâ÷àííÿ ó ñïåö³àë³çîâàí³é ìóçè÷í³é øêîë³ ó êëàñ³ ²âàíà Ëåâêîâè÷à òà Ëüâ³âñüê³é äåðæàâí³é êîíñåðâàòî𳿠ó Þð³ÿ Ñì³ðíîâà òà Âàñèëÿ Æîëóáàêà (ôëåéòà). Âäîñêîíàëþâàâ îñâ³òó ó Íàö³îíàëüí³é ìóçè÷í³é àêàäå쳿 Óêðà¿íè ³ì.Ï.×àéêîâñüêîãî (íàóêîâèé êåð³âíèê, ïðîô. Â.Ì.Àïàòñüêèé), ç 2010ð. ïðîäîâæóº ôàõîâ³ äîñë³äæåííÿ ó äîêòîðàíòóð³ Íàö³îíàëüíî¿ ìóçè÷íî¿ àêàäå쳿 Óêðà¿íè ³ì. Ï.×àéêîâñüêîãî. Çäîáóâ íàãîðîäó Âñåñîþçíîãî êîíêóðñó âèêîíàâö³â íà äóõîâèõ ³íñòðóìåíòàõ (1991), ïåðåìîãó ó Âñåóêðà¿íñüêîìó êîíêóðñ³ (1992), çâàííÿ ëàóðåàòà ó ̳æíàðîäíîìó êîíêóðñ³ (1998) òà ̳æíàðîäíîìó êîíêóðñ³ êàìåð¬íèõ àíñàìáë³â (2004). Çàéìàâñÿ òà â³äâ³äàâ ìàéñòåðêëàñè ó â³äîìèõ ìóçè¬êàíò³â — Îíäðàøà Àäîð'ÿíà, Äæåíí³ Áàêñòðåññåð, Åíòîí³ Âåæá³íñüêîãî, Îëåãà Êóäðÿøîâà, Ìàðò³íà Ôîëåíáîêà. Ó÷àñíèê áàãàòüîõ ì³æíàðîäíèõ ìóçè÷íèõ ôåñòèâàë³â: International Youth Music Forum, Das Treffen, Dni Muzyki Kompozytorow Krakowskich, Miedzynarodowy Festiwal muzyki kameralnej, Êè¿âÌóçèêÔåñò, ³ðòóîçè, Ìóçèêà òèñÿ÷îë³òòÿ, Êîíòðàñòè, ÃÎÃÎËÜFEST òà ³í. Âèñòóïàâ ÿê ñîë³ñò, àíñàìáëåâèé òà îðêåñòðîâèé ìóçèêàíò ó ͳìå÷÷èí³, Øâåéöàð³¿, Óãîðùèí³, Ïîëüù³, Ðîñ³¿, ²òà볿, Ãîëàí䳿, Áåëü㳿, Ñàëüâàäîð³, Ãâàòåìàë³, ͳêàðàãóà, Ãîíäóðàñ³, Êîñòà-гö³, Ïåðó, Êîëóì᳿.
         Àíäð³ºì Êàðïÿêîì âèêîíàíà çíà÷íà ê³ëüê³ñòü ñîëüíèõ ôëåéòîâèõ êîíöåðò³â ç îðêåñòðîì, áàãàòî ç ÿêèõ âïåðøå â Óêðà¿í³ (çä³éñíèâ á³ëüø í³æ 10 çàãàëüíîóêðà¿íñüêèõ ïðåì’ºð): À.³âàëüä³, É.Ñ.Áàõà (Áðàíäåíáóðçüê³ êîíöåðòè ¹4, ¹5, Ñþ¿òà ñ³-ì³íîð), Æ.-Ì.Ëåêëºðà, Ô.Å.Áàõà, É.Á.Âåíäë³íãà, Â.À.Ìîöàðòà, Ñ.Ìåðêàäàíòå, Ï.×àéêîâñüêîãî, Ô. òà Ê. Äîïëåð³â, À.Á.Ôþðñòåíàó, Ì.Ëèñåíêà, Æ.²áåðà, Ê.ͳëüñåíà, Õ.Îòàêà, Ð.ѳìîâè÷à, À.Øòîãàðåíêà, À.ͳêîäåìîâè÷à, ª.Ñòàíêîâè÷à, Ì.Òåîäîðàê³ñà, À.Çàò³íà, Â.Áàðòóë³ñà, Á.Áîðèñåíêà, òà ³í. Ðåöåí糿, àíîíñè íà ñîëüí³ âèñòóïè òà ³íòåðâ’þ ç àðòèñòîì ïóáë³êóâàëèñÿ ó æóðíàëàõ «Ruch muzyczny», «Äæàç», «Äçâ³í», «Òåàòðàëüíà áåñ³äà», ÷àñîïèñàõ «Nordbayerischer Kurier», «Ãîëîñ Óêðà¿íè», «Êóëüòóðà ³ æèòòÿ», «Ïîñòóï», «Çà â³ëüíó Óêðà¿íó», «Âèñîêèé çàìîê», «Ñóáîòíÿ ïîøòà», «Ëåí³íñüêà ìîëîäü», «Ôåñò», «ªâðîïà-öåíòð», «Íîâèíè Çàêàðïàòòÿ», «Óæãîðîä», òèæíåâèêó «Îð³àíà», ²íôîðìàö³éíîìó áþëåòåí³ àíàë³òè÷íî-êîîðäèíàö³éíîãî Àãåíòñòâà Àâòîðñüêî¿ ï³ñí³ Óêðà¿íè. Áðàâ ó÷àñòü ó ìóçè÷íèõ ïðîãðàìàõ íà òåëåáà÷åíí³, ñòâîðåíí³ õóäîæíüîãî ô³ëüìó «Òàºìíèöÿ ìàåñòðî Ì.Áåðåçîâñüêîãî». Çä³éñíèâ çàïèñè êîìïàêò-äèñê³â: "Ôëåéòà â ìóçèö³ XX ñòîë³òòÿ" (2004), "Êîíöåðò ó ì³ñò³ ëåâ³â" ó ñêëàä³ àíñàìáëþ ôëåéòèñò³â (2006), «Êîíöåðòíèé ñåçîí ôëåéòèñòà À.Êàðïÿêà (äî 20-ð³÷÷ÿ âèêîíàâñüêî¿ ä³ÿëüíîñò³)» (2011).
        Àíäð³é Êàðïÿê ñï³âïðàöþº ç îïåðíèìè, áàëåòíèìè, ñèìôîí³÷íèìè òà êàìåðíèìè êîëåêòèâàìè, çîêðåìà, êàìåðíèì îðêåñòðîì «Â³ðòóîçè Ëüâîâà» â³ä ÷àñó éîãî çàñíóâàííÿ. Áðàâ ó÷àñòü ó ÷èñëåííèõ ìèñòåöüêèõ ïðîåêòàõ ç äèðèãåíòàìè Ñòåôàíîñîì Ö³àë³ñîì, Ðîìàíîì Êîôìàíîì, Ëàñëî Êîâà÷åì, Þð³ºì Ëóö³âèì, Ãóíãàðäîì Ìàòåñîì, Àéäàðîì Òîðèáàºâèì, Âîéöåõîì ×åïºëåì, Ñåð㳺ì Áóðêîì, Çèãìóíòîì гõåðòîì, ³êòîðîì Ïëîñê³íîþ, Ìàðêîì Êàä³íèì, ²ãîðåì Ïèëàòþêîì, Êîõå³ Ñîäåîêà, Àíäð³ºì Þðêåâè÷åì, Âåðíåðîì Çàéöåðîì, Ìèðîñëàâîì Ñêîðèêîì, Ðîëàíäîì Áàäåðîì, ²âàíîì Þçþêîì, Ãàíñîì ³ëüãåëüìîì, ßðåìîþ Êîëåññîþ, Ãåîð㳺ì Ïàâ볺ì, ijòåðîì Âàãíåðîì, Ïåòðîì Òîâñòóõîþ, ßíîì Ïøåáèëüñüêèì, Ìèêîëîþ Êóëèêîì, Áîãäàíîì Äàøàêîì, ³êòîð³ºþ Ðàöþê, Äåíèñîì Ïðîùàºâèì, Þð³ºì Áåðâåöüêèì, Îëåêñàíäðåì Äðàãàíîì òà ³íøèìè. Ó÷àñíèê àíñàìáëþ ñó÷àñíî¿ ìóçèêè «Êëàñòåð», ïåðøîãî âèêîíàâöÿ òâîð³â áàãàòüîõ çàðóá³æíèõ òà â³ò÷èçíÿíèõ êîìïîçèòîð³â, ùî 15 ðîê³â ïðîïàãóº íîâå ìèñòåöòâî â Óêðà¿í³ òà çà êîðäîíîì (ó ðåïåðòóàð³ êîëåêòèâó ïîíàä 200 òâîð³â Ï.Áóëåçà, Ë.Áåð³î, Ã.Ëÿõåíìàíà, Á.Øåôôåðà, Ç.Óäóìåíà, Ã.Ê.Òàêêàí³, Ì.Õîëîíºâñüêîãî, Î.Ð.Äæîóíñà, ².Íåáåñíîãî, Ã.Ñòåïàëüñüêî¿ òà ³í.) Îðãàí³çàòîð òà ó÷àñíèê àíñàìáëþ ôëåéòèñò³â Äîïëåð-ñåêñòåò – ëàóðåàòà ̳æíàðîäíîãî êîíêóðñó (êîëåêòèâó ïðèñâÿòèëè òâîðè Î.Êîçàðåíêî, Ñ.ϳëþò³êîâ, Î.Âîéòåíêî, ².Íåáåñíèé, Ë.Ñèäîðåíêî òà ³í.).
        À.Êàðïÿê — àâòîð 30 íàóêîâèõ ïðàöü, ïðèñâÿ÷åíèõ ïðîáëåìàì âèêîíàâñòà òà ³ñòî𳿠ìèñòåöòâà ãðè íà ôëåéò³. Ñåðåä íèõ: «Îñîáëèâîñò³ ôëåéòîâèõ òåêñò³â Éîãàííà Ñåáàñòüÿíà Áàõà», «Ïðîáëåìè ñó÷àñíî¿ âèêîíàâñüêî¿ òåõí³êè ôëåéòèñòà», «Ï³ñíÿ ˳íà» À.Æîë³âå òà ¿¿ çâ’ÿçêè ç ìóçè÷íèì ìèñòåöòâîì ñòàðîäàâíüî¿ Ãðåö³¿», «Ñòàíîâëåííÿ æàíðó îðí³òîëîã³÷íî¿ ì³í³àòþðè â ðåïåðòóàð³ âèêîíàâöÿ-ôëåéòèñòà», «Çâóêîäèíàì³êà òà äèõàííÿ ó ôëåéòîâîìó âèêîíàâñòâ³ ó âèù³é øêîë³», «Die Lemberger Flotisten Franz und Karl Doppler, zwei herausragende europaische Musiker», «Slawny lwowski flecista pierwszej polowy 19 stulecia Michal Jackowski» òà ³í. Âèêëàäຠêóðñè «²ñòî𳿠âèêîíàâñüêîãî ìèñòåöòâà» òà «Ìåòîäèêè âèêëàäàííÿ ãðè íà äóõîâèõ ³íñòðóìåíòàõ». Áðàâ ó÷àñòü ó ì³æíàðîäíèõ íàóêîâèõ êîíôåðåíö³ÿõ òà ïðàö³ æóð³ ̳æíàðîäíîãî êîíêóðñó. Êàíäèäàò ìèñòåöòâîçíàâñòâà (“Ôëåéòîâå ìèñòåöòâî â ìóçè÷í³é êóëüòóð³ Ëüâîâà (XIX-XX ñò.)” (2002ð.) Ç 2003 ðîêó – äîöåíò êàôåäðè äóõîâèõ òà óäàðíèõ ³íñòðóìåíò³â Ëüâ³âñüêî¿ íàö³îíàëüíî¿ ìóçè÷íî¿ àêàäå쳿 ³ì.Ì.Â.Ëèñåíêà òà Êè¿âñüêîãî íàö³îíàëüíîãî óí³âåðñèòåòó êóëüòóðè òà ìèñòåöòâ. Âèõîâàâ 12 ëàóðåàò³â âñåóêðà¿íñüêèõ òà ì³æíàðîäíèõ êîíêóðñ³â (âèïóñêíèöÿ êëàñó Ìàð³ÿ Ñåìîòþê - Ëàóðåàò II ïðå쳿 Lions Club German Flute Competition (Áðàóíøâàéã, ͳìå÷÷èíà), Ëàóðåàò The 7th Kobe International Flute Competition (Êîáå, ßïîí³ÿ), àðòèñòêà Royal Concertgebouworchestra (Àìñòåðäàì, Ãîëàíä³ÿ).
        Ðåçóëüòàòè íàóêîâèõ äîñë³äæåíü òà ìóçè÷í³ ïðàö³ Àíäð³ÿ Êàðïÿêà áóëè îïóáë³êîâàí³ â åíöèêëîïå䳿 “Die Musik in Geschichte und Gegenwart” (Êàññåëü, ͳìå÷÷èíà) òà âèäàâíèöòâîì Falls House Press (Íàøóà, ÑØÀ, Cat. 4F-AK1). Ìóçèêàíò íàãîðîäæåíèé Ïî÷åñíîþ ãðàìîòîþ ̳í³ñòåðñòâà êóëüòóðè ³ òóðèçìó Óêðà¿íè «Çà âàãîìèé îñîáèñòèé âíåñîê ó ñòâîðåíí³ äóõîâíèõ ö³ííîñòåé òà âèñîêó ïðîôåñ³éíó ìàéñòåðí³ñòü» (2010). Îêðåìèé ðîçä³ë äèñåðòàö³¿ çàñëóæåíîãî àðòèñòà Óêðà¿íè, êàíäèäàòà ìèñò. Þ.Øóòêà «Ôëåéòîâå ìèñòåöòâî XX ñòîë³òòÿ ó êîíòåêñò³ óêðà¿íñüêî¿ êóëüòóðè» ïðèñâÿ÷åíî âèêîíàâñüê³é òâîð÷îñò³ Àíäð³ÿ Êàðïÿêà.
         À.Êàðïÿê àâòîð íàóêîâèõ ñòàòåé, ïðèñâÿ÷åíèõ ïðîáëåìàì âèêîíàâñòâà òà ³ñòî𳿠ìèñòåöòâà ãðè íà äóõîâèõ ³íñòðóìåíòàõ, áðàâ ó÷àñòü ó ì³æíàðîäíèõ íàóêîâèõ êîíôåðåíö³ÿõ. Ç 2003 ðîêó äîöåíò êàôåäðè äóõîâèõ òà óäàðíèõ ³íñòðóìåíò³â Ëüâ³âñüêî¿ äåðæàâíî¿ ìóçè÷íî¿ àêàäå쳿 ³ì. Ì.Â.Ëèñåíêà, êàíäèäàò ìèñòåöòâîçíàâñòâà(2002).
CD ï³ä íàçâîþ «Ôëåéòà â ìóçèö³ ÕÕ ñòîë³òòÿ» ïðèñâÿ÷åíèé Þðãåíó òà Àëüìóò Ïåðõåðìàéºð. (Àíäð³é Êàðïÿê, ôëåéòà; Òåòÿíà Ñëþñàð, ô-íî)
CD ï³ä íàçâîþ «Êîíöåðò ó ì³ñò³ ëåâ³â». Ïðîãðàìà êîìïàêò-äèñêó ì³ñòèòü ó ñîá³ ìàòåð³àë êîíöåðòó êâàðòåòó ôåëåéòèñò³â ï³ä êåð³âíèöòâîì Àíäð³ÿ Êàðïÿêà, ùî â³äáóâñÿ ó Âåëèêîìó çàë³ ËÄÌÀ 18 âåðåñíÿ 2005 ðîêó.
Andriy Karpyak
         Andriy Karpyak was born in 1974. He graduated with honors both from specialized music school (the class of Ivan Levkovych, flute) and Lviv State Conservatory (the classes of Yuriy Smirnov and Vasil' Zholubak, flute). To improve his education, Karpyak went to the Pyotr Tchaikovsky Ukrainian Academy of Music (Professor V.Apats'ky as his research supervisor). Since 2010, he has been doing a doctorate at the Academy.
        Andriy Karpyak has an impressive record of personal artistic achievement: the award for bests wind instrument performers at the All-Union Contest (1991); the victory in the All-Ukrainian Contest (1992); the laureate at the International Contest (1998): the laureate at the International Contest of Chamber Ensembles (2004) etc. He attended masterclasses of such famous musicians as Andrash Adorjan, Jeanny Baxtresser, Anthony Wierzbinski, Oleg Kudriashov, Martin Fahlenbock. He participated in numerous international music festivals: International Youth Music Forum, Das Treffen, Dni Muzyki Kompozytorow Krakowskich, Miedzynarodowy Festiwal muzyki kameralnej, Êè¿âÌóçèêÔåñò, ³ðòóîçè, Ìóçèêà òèñÿ÷îë³òòÿ, Êîíòðàñòè, ÃÎÃÎËÜFEST etc.
        Andriy Karpyak has performed in Germany, Switzerland, Hungary, Poland, Russia, Italy, the Netherlands, Belgium, E1 Salvador, Guatemala, Nicaragua, Honduras, Costa Rika, Peru and Columbia as a soloist, band and orchestral musician. He has played a considerable number of concertos for flute and orchestra, most of which were performed in Ukraine for the first time (among them, there were at least ten premieres): A.Vivaldi; J.S.Bach (‘Brandenburg Concertos’ ¹4, ¹5; ‘Suite in B minor’); J.-M.Leclair; C.P.E.Bach; J.B.Wendling; W.A.Mozart; S.Mercadante; P.Tchaikovsky; F. and K. Doppler; A.B.Furstenau; M.Lysenko; J.Ibert; C. Nielsen; H.Otaka; R. Simovych; A. Shtogarenko; A. Nikodemowicz; Ye. Stankovych; M.Theodorakis; A. Zatin; V. Bartulis; B. Borysenko etc.
        Karpyak’s solo performances had extensive press coverage through reviews and announcements. The interviews with the musician were published in such magazines as “Ruch Muzyczny”, “Dzhaz” (Jazz), “Dzvin” (The Bell), “Teatral’na Besida” (Theater Talks), as well as in newspapers: “Nordbayerischer Kurier”, “Holos Ukrayiny” (The Voice of Ukraine), “Kul’tura I Zhyttia” (Culture and Life), “Postup” (Progress), “Za Vil’nu Ukrayinu” (For Independent Ukraine), “Vysoky Zamok” (High Castle), “Subotnia Poshta” (Saturday Mail), “L’viv ta L’vivyany” (Lviv and Lviv Citizens), “Lenins’ka Molod’” (The Youth of Lenin), “Fest”, “Yevropa-tsentr” (Europe Center), “Novyny Zakarpattia” (News from Transcarphathians), “Uzhgorod”, in the weekly magazine “Oriana”, and in the bulletin of the analytical-coordinative agency of Ukrainian author’s songs.
        Apart from that, Flutist took part in some television musical programs and making a film entitled “Tayemnytsia maestro M. Berezovs’koho” (The Mystery of the Maestro M. Berezovs’ky). Andriy Karpyak is collaborating with opera and ballet companies, symphony and chamber orchestras, with the chamber orchestra “Lviv Virtuosos” in particular, since its foundation. He also participated in numerous artistic projects together with the following conductors: Stefanos Tsialis, Roman Kofman, Laszlo Kovacz, Yuriy Lutsiv, Gunhard Mattes, Mark Kadin, Aidar Torybayev, Wojciech Czepiel, Sergiy Burko, Zygmunt Rychert, Viktor Ploskina, Ihor Pylatiuk, Kohei Sodeoka, Myroslaw Skoryk, Roland Bader, Ivan Yuziuk, Hans Wilhelm, Yarema Kolessa, Heorhiy Pavliy, Petro Tovstukha, Ianusz Pshybylski, Mykola Kulyk, Dieter Wagner, Bohdan Dashak, Viktoriya Ratsiuk, Denys Proshchayev, Yuriy Bervets’ky, Oleksandr Drahan etc.
        The musician is a member of a modern music ensemble named “Cluster”, which is the first performer of numerous works written by foreign and domestic composers. The ensemble has been popularizing modern music in Ukraine and abroad for fifteen years. In its repertoire, the collective includes over 200 works by J.Cage, P.Boulez, L.Berio, H.Lachenmann, B.Schaeffer, Z.Uduman, G.C.Taccani, O.R. Jones, I. Nebesny, H. Stepalska etc.
        Andriy Karpyak is the organizer and member of the flute group called “Doppler-Sextet”, which is the laureate of the International Contest (O.Kozarenko, S.Piliutikov, O.Voytenko, I. Nebesny, L.Sydorenko and others have created their works for the group).
        Andriy Karpyak is the author of thirty scientific studies devoted to the issues of performing, to the history of the art of performance on the flute, which were published in Ukrainian and foreign (Germany, Poland) specialist publications. He has developed and teaches the courses in “The history of performing arts” and “The methodology for teaching performance on the wind instruments”. Flutist participated in international scientific conferences, and he was on a jury judging an international contest.
        Andriy Karpyak holds a Ph.D. in Arts Studies (“The art of flute performance in the musical culture of Lviv in the 19th-20th centuries” (2002)). Since 2003, he has been working as an assistant professor at the Mykola Lysenko National Academy of Music in Lviv at the Department of Wind and Percussion Instruments, as well as at Kyiv National University of Culture and Arts. Among his alumni, there are twelve laureates of All-Ukrainian and international contests (e.g. Mariya Semotiuk is the laureate awarded the second prize in Lions Club German Flute Competition (Braunschweig, Germany), the laureate of the 7th Kobe International Flute Competition (Kobe, Japan), an artist of the Royal Concertgebouworchestra (Amsterdam, the Netherlands)).
        The findings of the studies conducted by Andriy Karpyak as well as his musical works were published in the encyclopedia entitled “Die Musik in Geschichte und Gegenwart” (Kassel, Germany) and by the publishing house “Falls House Press” (Nashua, the USA, Cat. 4F-AK1). The musician was awarded the Diploma of the Ukrainian Ministry of Culture and Tourism “For the significant personal contribution to fostering spiritual values and high professional performance” (2010). A separate subchapter of the doctoral thesis entitled “The Art of Flute Performance of the 20th Century in the Context of the Ukrainian Culture” written by Yuriy Shutko, a Ph.D. in Arts Studies, the Honored Artist of Ukraine, is devoted to the performing creativity of Andriy Karpyak.
Çàõàð÷óê Îêñàíà. «Çâóêè ôëåéòè ÷àð³âíî¿». – ×àñîïèñ «Êóëüòóðà ³ æèòòÿ» ¹29 (3888) - Êè¿â, 29ëèïíÿ 1998ð.
Ìàð³-Àííà Ðîìàí. «Ñîëî äëÿ ñð³áíîãî ³íñòðóìåíòà ç ðîäèíè äåðåâ’ÿíèõ». – ×àñîïèñ «Ñóáîòíÿ ïîøòà». – Ëüâ³â, 2 ëèïíÿ 1998ð.
Chacharowski Leopold. «Musica Galiciana w Rzeszowie». – Dwutygodnik «Ruch muzyczny», Rok XLIII, ¹11. – Warshawa, 30 maja 1999. – S.35.
Ãîðàê ßêèì. «Íîâå ïðî÷èòàííÿ ìóçèêè Ðîìàíà ѳìîâè÷à». – ×àñîïèñ «Ïîñòóï», â³âòîðîê-ñåðåäà, ¹33 (691). – Ëüâ³â, 27-28 ëþòîãî 2001ð.
Çàõàð÷óê Îêñàíà. «Êîíöåðò ôëåéòèñò³â-â³ðòóîç³â…». – Æóðíàë «Äçâ³í», ¹11-12, 2001ð. – Ñ.152-153.
Êîïàê Îêñàíà. «Íåçàáóòíÿ ìåëîä³ÿ äëÿ ôëåéòè…». – Æóðíàë «Äæàç» ¹ 4(26). – Êè¿â, 2010 – Ñ. 20-23.
Äîïëåð-Ñåêñòåò ôëåéò
        Àíñàìáëü ôëåéòèñò³â ó Ëüâîâ³ (Ukraine) – êîëåêòèâ ç ÿñêðàâèìè ñàìîáóòí³ìè, âñåñâ³òíüî âàãîìèìè òðàäèö³ÿìè. Íåïåðåñ³÷íèé âêëàä ó ñêàðáíèöþ ôëåéòîâîãî ìèñòåöòâà òà ðåïåðòóàðó âíåñëà àêòèâíà ñîëüíà, àíñàìáëåâà ³ êîìïîçèòîðñüêà ä³ÿëüí³ñòü çíàìåíèòèõ ëüâ³â’ÿí-ôëåéòèñò³â Ôðàíöà (1821-1883) òà Êàðëà (1825-1900) Äîïëåð³â, ÿêèõ çàñëóæåíî íàçèâàþòü êëàñèêàìè ôëåéòîâîãî àíñàìáëþ ðîìàíòè÷íî¿ äîáè. Ãåí³àëüí³ òâîðè áðàò³â íå ïðîñòî çàëèøàþòüñÿ ñåðåä íàéïîïóëÿðí³øî¿ ôëåéòîâî¿ ë³òåðàòóðè ñüîãîäåííÿ, à ñêîð³øå ïåðåæèâàþòü â ÕÕ² ñòîë³òò³ ï³ê ïîö³íóâàííÿ òà âèçíàííÿ.
        Ó íîâ³òí³é ÷àñ êîíöåðòóþ÷èé ôëåéòîâèé àíñàìáëü ó Ëüâîâ³ âèíèêຠó 1997 ðîö³. Ó íàñòóïí³ ðîêè ëàóðåàòàìè ̳æíàðîäíèõ êîíêóðñ³â Àíäð³ºì Êàðïÿêîì òà ªâãåíîì Á³ëåöüêèì áóëî ï³äãîòîâëåíî ðÿä îðèã³íàëüíèõ ïðîãðàì, â³äáóëèñÿ âèñòóïè â Óêðà¿í³, Ïîëüù³, ͳìå÷÷èí³.
        Ó 2002 ðîö³ êîëåêòèâ ïåðåðîñòຠó ôëåéòîâèé êâàðòåò. Ó 2003, ï³ä ÷àñ ïî¿çäêè ïî ͳìå÷÷èí³ êîëåêòèâ â³äâ³äàâ ó ì.Âåéìàð³ ìàéñòåðêëàñè ñîë³ñòêè Íüþ-Éîðêñüêî¿ ô³ëàðìîí³¿ Äæåíí³ Áàêñòðåññåð (ôëåéòà), êîòðà áóëà çàõîïëåíà âèêîíàâñüêèì ð³âíåì òà ö³êàâèì ³ ñâîºð³äíèì ðåïåðòóàðîì àíñàìáëþ ç³ Ëüâîâà. ϳñëÿ ìàéñòåðêëàñ³â Ä.Áàêñòðåññåð ñïðèÿëà ïóáë³êàö³¿ òâîð³â ç ðåïåðòóàðó àíñàìáëþ â ÑØÀ. Ó 2005 ð. âèäàâíèöòâîì Falls House Press áóëî âèäàíî çá³ðêó ï³ä íàçâîþ Encore Arrangements for Flute Quartet (Arranged by Andriy Karpyak). Êîëåêòèâ çäîáóâຠçâàííÿ ëàóðåàòà ó ̳æíàðîäíîìó êîíêóðñ³ äóõîâèõ êàìåðíèõ àíñàìáë³â (Âîðçåëü, 2004), ñòâîðþº êîìïàêò-äèñê «The Concert in the town of Lions» (2006), áåðå ó÷àñòü ó áàãàòüîõ ìóçè÷íèõ ôåñòèâàëÿõ, ñï³âïðàöþº ç âèäàòíèìè ìóçèêàíòàìè, óêðà¿íñüêèìè êîìïîçèòîðàìè. Àíñàìáëü – ïåðøèé âèêîíàâåöü òâîð³â Î.Êîçàðåíêà, ².Íåáåñíîãî, Ë.Ñèäîðåíêî, Î.Ѻðîâî¿, Ñ.ϳëþò³êîâà, Î.Âîéòåíêà.
        Ðîçøèðåííÿ ³íñòðóìåíòàð³þ, íîâèé ðåïåðòóàð ïîñïðèÿâ ïåðåòâîðåííþ ó 2008 ðîö³ êîëåêòèâó ó ñåêñòåò ôëåéò, ÿêèé ó ïàì’ÿòü ïðî ôëåéòîâ³ òðàäèö³¿ ì³ñòà îòðèìóº íàçâó Äîïëåð-ñåêñòåò. Ó ð³çíîìàí³òíèõ êîíöåðòíèõ ïðîãðàìàõ êîëåêòèâó çàâæäè ïåðåáóâàþòü òâîðè Ô.òà Ê.Äîïëåð³â. Ñêëàä àíñàìáëþ: Ìèõàéëî Ñîñíîâñüêèé (ï³êîëî, ôëåéòà), Àíäð³é Êàðïÿê (ôëåéòà), Æàííà Ëåíü (ôëåéòà), Âîëîäèìèð Ëóùåíêî (ôëåéòà), Ãåîðã³é Ëîøàêîâ (ôëåéòà), ªâãåí Á³ëåöüêèé (àëüòîâà ôëåéòà).
The Flute Doppler-Sextet
        The ensemble of flautists in Lviv (Ukraine), is a group with distinguished long established world traditions. It is named after Franz (1821-1883) and Karl (1825-1900) Dopplers, famous Lviv flautists, who made an invaluable contribution to the art of flute performance and repertoire by their active solo, ensemble and composer activity, and who had a well-deserved reputation as the classics of the flute ensemble of the Romanticism. At present, the works of the brothers-geniuses do not only belong to the most popular flute literature, but also achieved the peak of general recognition.
        In 1997, a flute band, performing in concerts, was formed. Shortly afterwards, Andriy Karpyak and Yevhen Bilets’ky, the laureates of international contests, made a number of original programs presented in Ukraine, Poland, and Germany.
        In 2002, the group became a flute quartet. In 2003, while visiting Germany, the members of the quartet attended masterclasses of Jeanny Baxtresser, a flute soloist of the New York Philharmonic, in Weimar. The flautist was impressed by the high level of performance and striking originality of the repertoire displayed by the quartet from Lviv. Later, Jeanny Baxtresser greatly assisted with the publication of works from the quartet’s repertoire in the USA. In 2005, the collection of works entitled “Encore Arrangements for Flute Quartet (Arranged by Andriy Karpyak)” was published by the Falls House Press.
        In 2004, the group became the laureate at the International Contest of Wind Chamber Ensembles in Vorzel.
        In 2006, the Quartet recorded the compact disk entitled “The Concert in the Town of Lions”, participated in numerous music festivals, collaborated with outstanding musicians and Ukrainian composers. The works of O.Kozarenko, I.Nebesny, L.Sydorenko, O.Sierova, S. Piliutikov, O. Voytenko were first performed by the group.
        In 2008, due to the extension of instrumentation and repertoire, the flute quartet turned into the flute sextet and was named Doppler-Sextet in honor of the flautists memorable for their flute performance in Lviv. The works of Franz and Karl Dopplers are always included into different concert programs of the group. There are the following members of the sextet: Mykhailo Sosnovsky (piccolo, flute); Andriy Karpyak (flute); Zhanna Len’ (flute); Volodymyr Lushchenko (flute); Heorhiy Loshakov (flute); and Yevhen Bilets’ky (alto flute).
Andriy Karpyak
         Andriy Karpyak ist 1974 geboren. Er studierte an der Spezialmusikscuile in der Flotenklasse bei W.Zholubak und I.Levkovytsch und am Hochschule fur Musik (Lwiw) bei Jurij Smirnow. Er war 1992 Sieger des gesamtukrainischen Wettbewerbs fur junge Blasinstrumentenmusike 1991 Diplomant des Gesamtbundeswettbewerbs, 1998 Preistrager des internationalen Wettbewerbes. Er lernte und besuchte Meisterklassen bei bekannten Musikern, wie Andras Adorjan, Oleh Kudryaschow, Martin Fahlenbock, Antoni Wierzbinski und Jeanne Baxtresser. Er nahm an vielen internationalen Musikfestivalen teil und trat in Deutschland, Ungarn und Polen auf.
        Konzerte von J. Ibert, S. Mercadante, K.P.E.Bach, Werke von Franz und Karf Doppler, sowie Konzerte von ukrainischen Komponisten fur Flote und Symphonieorchester sind von Andriy Karpyak erstmals in Lwiw aufgefuhrt worden. Er arbeitet mit Opern-, Ballett-, Symphonie - und Kammergruppen zusammen. Er ist Veranstalter und Mitglied des Flotenensembles "Schoni Sarenquartett".
        Andriy Karpyak ist Autor der wissenschaftlichen Beitrage, die den Problemen der Geschichte der Kunst des Blasinstrumentenspiels gewidmet sind. Er nahm an internationalen Wissenschaftskonferenzen teil. Seit 2003 ist er Dozent am Blas- und Schlaginstrumentenlehrstuhl der Lwiwer staatlichen Musikakademie und seit 2002 Doktor der Kunstwissenschaften.
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